Slide 1
Guest Playlist #06: Matt Bower of Wizards Tell Lies

By Steve Dewhurst

“When I started buying films on VHS, I would record the sound onto tape so I could take the film with me on journeys.”

Pete Swanson
Enough Dark Intensity: An Interview with Jimmy Lacy of SiP

By Jason Cabaniss

"I like the idea of “cocktail music.” Something intentionally light and pleasant. I’m always trying to write music that communicates some type of positive mood and when I’m playing, trying to focus my energy there"

Slide 2
Clean is Dirty: An Interview with Flowertown

By Lindsay Oxford

The birth of San Francisco’s Flowertown makes for a good story: longtime Bay Area scene compatriots Karina Gill (Cindy) and Mike Ramos (Tony Jay) compose a song together for an upcoming show in later winter 2020, and the day before they’re slated to play it, the world stopped.

Slide 3
Needles and Pins: Derek Piotr's Journey to the Heart of Britain's Folklands

By Steve Dewhurst

“Yorkshire is not so dissimilar to my home in the Northeast of America,” Derek Piotr tells me from York, the latest stop on his great British journey. “Connecticut is part of New England, so that makes sense.”

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Underscore was launched because my other gigs either deflated, desiccated, disappeared or died.

Having started at the late, lamented Foxy Digitalis (Brad, Crawf, Bobby, where are you?) and travelled via Fluid Radio, Epitonic, Decoder Magazine and others, as well as having run the short-lived, enormously unsuccessful cassette label J&C Tapes, I took a break for grown-up stuff like having children and brain tumours and mental health issues and drink problems.

The constant, of course, was music. But all that music and no one to gibber on about it to?  All that music and nothing to sick wild thoughts and ideas up on to?  That only ever results in one thing: a seriously backed-up bastard.

So with nothing in the running, and an inbox as full of neglected promos as my head was of words requiring a release, the decision was made to go it alone. Underscore was born, and painfully.

My aim here is modest. I want to write about, and speak to if they’re willing, as many of the artists whose music I continue to receive daily despite my having done nothing with it for months.  They send it in good faith and I want Underscore to honour that.

I also want it to be fun and informative. I want to cover as much as a guy with a family to look after and a day job reasonably can – I am no professional, and never have claimed to be, but I hope Underscore has something to say that people will enjoy reading and find informative.  I also want to support the oddballs, the little guys, the obscurities and the practically unlistenable; I want to cover the weirdest shit you can throw at me, and the heaviest, and the noisiest, and the most far-flung.

As of March 2020, Underscore is:

Steve Dewhurst (@UNDR_MUSICMAG)
Diego Aguilar-Canabal (@daguilarcanabal)
Emmerich Anklam (@eianklam)
Lindsay Oxford (@lindsayoxford)
Jason Cabaniss (too smart for social media) 

I cannot promise we will write about everything we receive, although we will endeavour to listen to it all.  Please enquire about submissions by clicking on the handy mail icon up there in the top right corner of the screen, or just go ahead and submit to  Physical is beautiful, but we are more than grateful for good ol’ digital.

Before I shut up here, I want to thank and praise my good friend Dylan McConnell at Tiny Little Hammers without whom this endeavour would not have been possible.  Dylan made the Underscore logo for me, helped with some coding problems and generally nagged at me daily when I was dragging my feet.  In my mind, Dylan is one of the very best designers working, and someone I can always trust when I need help or someone to make fun of because of where he lives. I love the guy.

If you’re a social media type, you can find Underscore getting its data illegally farmed and used to swing elections at the following places: